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In The Midst Of Hardship by Latiff Mohidin

2010-07-30T15:19:00.002+08:00

At dawn they returned home

their soaky clothes torn

and approached the stove

their limbs marked by scratches

their legs full of wounds

but on their brows

there was not a sign of despair

The whole day and night just passed

they had to brave the horrendous flood

in the water all the time

between bloated carcasses

and tiny chips of tree barks

desperately looking for their son’s

albino buffalo that was never found

They were born amidst hardship

and grew up without a sigh or a complaint

now they are in the kitchen, making

jokes while rolling their ciggarete leaves

SYNOPSIS (OVERALL)

In this poem, the poet tells of the situation of a farmer and his family. They come back at dawn after being out in the floodwater for a day and night. They are looking for their albino buffalo. They come back wet and hurt but they do not show any despair. They have been born into a life of hardship and have never complained. Now, they are in the kitchen and they joke and talk while preparing to relax with a smoke.

SYNOPSIS (ACCORDING TO STANZA)

STANZA 1

They returned home at dawn and headed for the stove. Their clothes were soaking wet and tattered. Their bodies were covered with scratches and wounds. Yet, they did not display any signs of being worried.

STANZA 2

They were out in the flood the whole day and night. They were surrounded by dead animals and parts of trees that had been destroyed by the flood. They searched desperately for their son’s albino buffalo but were unable to find it.

STANZA 3

They were born into poverty and difficulty, but they do not complain about their suffer. Instead, they sit in the kitchen, cracking jokes while smoking cigarettes.

SETTING

The setting of the poem is in the house.

THEMES

Stoicism in life
Family love
Acceptance of way of life

MORAL VALUES

We should learn to accept problems in life with a positive outlook.
We must attempt to face and solve problems.
Failure is part of growing up.
Do not despair in the face of failure.

TONE, MOOD, ATMOSPHERE

Understanding and sympathetic
Dismal
Acceptance of situation

POINT OF VIEW

Third person pint of view.

LANGUAGE & STYLE

Language is simple and easy to understand.
The style is simple with no rhyming scheme.

POETIC DEVICES

Imagery – Gives picture of poet’s thoughts e.g ‘soaky clothes torn’ and ‘legs full of wounds’
Alliteration – e.g. ‘but on their brows’
Symbols – e.g. ‘horrendous flood’ and ‘bloating carcasses’
Diction – e.g. ‘stove’ and ‘brows‘

GOOD TEACHING: THE TOP TEN REQUIREMENTS

2010-06-19T13:31:00.002+08:00

[ Just For Teachers ]

One. Good teaching is as much about passion as it is about reason. It's about not only motivating students to learn, but teaching them how to learn, and doing so in a manner that is relevant, meaningful, and memorable. It's about caring for your craft, having a passion for it, and conveying that passion to everyone, most importantly to your students.

Two. Good teaching is about substance and treating students as consumers of knowledge. It's about doing your best to keep on top of your field, reading sources, inside and outside of your areas of expertise, and being at the leading edge as often as possible. But knowledge is not confined to scholarly journals. Good teaching is also about bridging the gap between theory and practice. It's about leaving the ivory tower and immersing oneself in the field, talking to, consulting with, and assisting practitioners, and liaisoning with their communities.

Three. Good teaching is about listening, questioning, being responsive, and remembering that each student and class is different. It's about eliciting responses and developing the oral communication skills of the quiet students. It's about pushing students to excel; at the same time, it's about being human, respecting others, and being professional at all times.

Four. Good teaching is about not always having a fixed agenda and being rigid, but being flexible, fluid, experimenting, and having the confidence to react and adjust to changing circumstances. It's about getting only 10 percent of what you wanted to do in a class done and still feeling good. It's about deviating from the course syllabus or lecture schedule easily when there is more and better learning elsewhere. Good teaching is about the creative balance between being an authoritarian dictator on the one hand and a pushover on the other.

Five. Good teaching is also about style. Should good teaching be entertaining? You bet! Does this mean that it lacks in substance? Not a chance! Effective teaching is not about being locked with both hands glued to a podium or having your eyes fixated on a slide projector while you drone on. Good teachers work the room and every student in it. They realize that they are the conductors and the class is the orchestra. All students play different instruments and at varying proficiencies.

Six. This is very important -- good teaching is about humor. It's about being self-deprecating and not taking yourself too seriously. It's often about making innocuous jokes, mostly at your own expense, so that the ice breaks and students learn in a more relaxed atmosphere where you, like them, are human with your own share of faults and shortcomings.

Seven. Good teaching is about caring, nurturing, and developing minds and talents. It's about devoting time, often invisible, to every student. It's also about the thankless hours of grading, designing or redesigning courses, and preparing materials to still further enhance instruction.

Eight. Good teaching is supported by strong and visionary leadership, and very tangible institutional support -- resources, personnel, and funds. Good teaching is continually reinforced by an overarching vision that transcends the entire organization -- from full professors to part-time instructors -- and is reflected in what is said, but more importantly by what is done.

Nine. Good teaching is about mentoring between senior and junior faculty, teamwork, and being recognized and promoted by one's peers. Effective teaching should also be rewarded, and poor teaching needs to be remediated through training and development programs.

Ten. At the end of the day, good teaching is about having fun, experiencing pleasure and intrinsic rewards ... like locking eyes with a student in the back row and seeing the synapses and neurons connecting, thoughts being formed, the person becoming better, and a smile cracking across a face as learning all of a sudden happens. Good teachers practice their craft not for the money or because they have to, but because they truly enjoy it and because they want to. Good teachers couldn't imagine doing anything else.

p/s: To my dear teachers, number 5, 6 and 10 are SO important. :)

FAIL .

SUCCESS :D

GOOD LUCK!

By Richard Leblanc, York University, Ontario This article appeared in The Teaching Professor after Professor Leblanc won a Seymous Schulich Award for Teaching Excellence including a $10,000 cash award. Reprinted here with permission of Professor Leblanc, October 8, 1998.

Why You Are Addicted To Facebook?

2010-05-14T07:51:00.001+08:00

Nowadays, teenagers and adults like to play Facebook because they can contact their old friends or even they can make new friends from the other states or countries. Facebook provided a lot of games that attract a lot of people such as Barnbuddy, Restaurantcity, Hotelcity, Nightclub city and many more. These games can be play by all age. When playing the games that need neighbours, it is request you to invite some friends of yours or add some news friends. Besides that, you can even contact with them to know more details about their lifestyles.

The reason why we are addicted to Facebook

Games
Find new friends from other countries
When something bothering you, you can share your mood with everybody
Applications
Can know more information about friends or Actors/Actress/Singer
Can buy clothes from online
For guys/ladies, you can look for your soulmate
We can see handsome boys/ pretty girls
Seeking for fun
Connect with old friends
Can gossip about others
Can flirt guys/ladies